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Grateful Dead Live at Capitol Theater on 1970-11-08




Set 3 (partial)

Truckin' ->
Dark Star ->
Dancing In The Street
Drums ->
Not Fade Away ->
Goin' Down The Road Feeling Bad ->
Not Fade Away ->
Drums ->
Good Lovin' ->
Drums ->
Good Lovin'


Collection GratefulDead
Band/Artist Grateful Dead
Venue Capitol Theater
Location Port Chester, NY

Source Unknown Mic > Sony TC124 (4 Ampex C361-90). Recorded with unknown dynamic mics, spread approx. 25-30 ft.
Lineage Master Cassette > DAT > CD > EAC > SHN > Remastering > FLAC
Taped by Ken and Judy Lee

Notes

Remastering of shnid 28609: using Adobe Audition, I repitched tracks 6-12 to match the rest of the show, and severely attenuated (by about 35 dB) the horrible booming resonance centered at about 215 Hz, most objectionable during Good Lovin'. I moved the track marker for the beginning of NFA to match more closely the change of source tape.

Only tracks 5-12 are different from 28609
http://www.archive.org/details/gd1970-11-08.aud.weiner.28609.sbeok.shnf
http://db.etree.org/shninfo_detail.php?shnid=28609

Reviews

Reviewer: chris phillips - - February 7, 2015
Subject: pinnacle
An excellent Truckin' kicks into an awesome Dark Star.
The Dew from earlier in the set is holy.
Reviewer: hup - - December 21, 2009
Subject: The peak of Grateful Dead inventiveness
Frankly, there are some Hunter-Garcia jam vehicles that I love (Dark Star in particular and the one here is fabulous), but the acidfyied, psychedilicized, Deadified transformations of great rock and R & B hits like Dancing in the Streets, Not Fade Away, & Good Lovin' are the essence of their greatness, and this was them at their creative peak!!!!!!! I saw some of these shows at the Capitol so many years ago and they still get me shaking, whoa !!!!!
Reviewer: thelegroom - - December 4, 2008
Subject: Great but.....
Thanx Ken and Judy. I have always loved this show, in fact a personal favorite. Dark Star is out there! I only have been dling flac and would love to see the full show in this format. Bless you for what is there. I have more of this set on tape and the dynamic is quite different, a richer, almost stereo sounding, but still would not call it better sounding, just different. I love the audience vibe on decent recordings of this era. A bit of cultural history with some of the banter. I have long thought Bob was tripping balls at this show. Peace
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Source: Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
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Source: Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded by Bob Morris
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Source: dave homes dat master;
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Source: Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90) Taper Section 5, Row O, Seat 14
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Source: FOB AUD: 2x Nakamichi CM300/CP4 shotguns > Nakamichi 550 > Maxell XLII 90's, mics on stand, set up in the arena riser center, end of floor facing the stage
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Source: Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
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Source: Nakamichi Shotgun Mics>Sony D-5>Marantz PMD430
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Source: Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename